To make a pluggnb beat, set your tempo between 130 and 150 BPM with a half-time feel, write two to four jazzy chords (minor 7ths and added 9ths) on an electric piano, then add a soft sine or bell lead, a rounded 808 that follows the chord roots, and sparse plugg drums. Finish with re-pitched vocal chops as ear candy and a gentle mix that leaves space, not a loud, crushed trap master.
Below, each step uses the exact choices from published tutorials by Native Instruments, Splice and Reason Studios, plus FL Studio specifics.
- What makes a beat sound pluggnb
- What the published tutorials agree on
- Step 1: Set the tempo and the feel
- Step 2: Write the chord progression
- Step 3: Add a lead and a counter-melody
- Step 4: Program the 808
- Step 5: Program sparse plugg drums
- Step 6: Add vocal chops and ear candy
- Step 7: Mix soft and arrange in 8-bar blocks
- Where to get pluggnb sounds
- FAQ
What makes a beat sound pluggnb?
Pluggnb is plugg drums and 808s under R&B harmony. The chords do the emotional work, and the drums stay out of the way. If your beat has dark minor bells and busy hi-hat rolls, it is trap. If it has warm extended chords, a floaty sine lead and space between the hits, you are in pluggnb territory.
Plugg itself came out of the Atlanta underground in the mid-2010s and spread on SoundCloud. The name comes from the “PLUGG!” producer tag of the BeatPluggz collective, according to Reason Studios’ plugg guide. Splice’s genre breakdown names Summrs, Autumn!, XanGang, ARIZONATEARS and wintfye as artists who shaped the pluggnb sound, and lists the core palette: electric keys, sine wave synth leads, strings, glassy synth bells, 808s and plugg drum kits.
The R&B side is not decoration. GRAMMY-winning producer Swoope, who walks through a pluggnb beat in that Splice piece, puts it this way: “Pluggnb specifically pulls a lot from ’90s R&B and gospel, which I was steeped in growing up in the church.” He compares the chord shapes to vocal harmonies from groups like Jodeci and Dru Hill.
What do the published pluggnb tutorials agree on?
Four public tutorials cover this style in enough detail to compare. They agree on the big moves (130 to 150 BPM, extended chords on keys, a soft lead, minimal drums) and differ on the details. Here is what each one actually prescribes, so you can see which choices are genre rules and which are one producer’s taste.
| Element | Native Instruments (Tim Cant) | Splice (Swoope) | Reason Studios (plugg) | Samplefocus |
|---|---|---|---|---|
| Tempo | 130 BPM | Not published | 130 to 150 BPM, half-time feel | 130 to 150 BPM |
| Chords | Fmaj9, Dm9 and two Cmaj9 voicings on electric piano | Block chords on e-piano, minor 7ths and added 9ths | Two or three slow, soft minor chords | Rhodes-style chord loop |
| Lead | Sine-like synth with short glide (about 19 ms) | Simple sine wave passage | Bright bell layered with a warm pad | Wet synth lead |
| 808 | Synth 808 playing roots and 3rds | Punchy drums and 808s “bring the sound into today” | Long release, optional distortion | Light 808, 0 ms attack, about 200 ms release |
| Drums | Clap on beat 3, open hats on 8ths with rolls, shakers | Plugg kit, distorted drums | Sparse, few hi-hats, extra snares for counter rhythm | Kick on 1 and 3, snare on 2 and 4 |
| Vocals | None | Re-pitched gospel vocal loop | Not covered | Vocal chops suggested |
Sources: Native Instruments, Splice, Reason Studios, Samplefocus.
Tempo, chord color and drum restraint are consistent everywhere. Lead, 808 tone and vocals are where your own sauce goes.
Step 1: Set the tempo and the feel
Set your project to 130 to 150 BPM and think in half time. Reason Studios notes that a 140 BPM plugg beat often feels closer to 65 to 75 BPM because the snare or clap lands on beat 3 instead of 2 and 4. Native Instruments builds its whole walkthrough at 130 BPM, which is a safe starting point if you are unsure.
Pick a key you can play comfortably. No source mandates one, and pluggnb lives more on chord quality (7ths and 9ths) than on a specific scale. If you are new to theory, our guide on whether you need music theory to make beats covers the minimum you need for chords like these.
Step 2: Write the chord progression
Write two to four extended chords on an electric piano and loop them over four bars. This is the step that makes or breaks the beat. Splice describes the progression as the harmonic backbone of the genre, usually block chords on e-piano with minor sevenths and added ninths. It also points out that producers stack those extensions right next to the root in experimental inversions, which is where the slightly tense, dreamy color comes from.
Native Instruments’ example is a good template to copy and then change: F major 9, a C major 9 voicing over B, D minor 9, and a C major 9 voicing over E, all at a soft velocity of 74. Tim Cant deliberately keeps adjacent notes in the voicings for “a slight touch of dissonance.”
Practical tips for FL Studio:
- Lower the velocity of every chord note to around 70 to 80. Hard-hit keys sound like pop, soft ones sound like R&B.
- Put a 9th right next to the root (for example, C and D in the same octave). If it sounds a little wrong on its own, it usually sounds right in the mix.
- Keep chords long and sustained, like the slow, soft chords Reason Studios describes, and let the drums carry the rhythm.
- Try Reason Studios’ “chord flip”: bounce the chords to audio, slice at each chord, reverse each slice, add short fades and layer it quietly under the original.
Step 3: Add a lead and a counter-melody
Add one soft lead on top of the chords, ideally a sine-like synth or a glassy bell, and keep it simple. Swoope builds his top line from a basic sine wave in the Splice tutorial. Native Instruments uses a wavetable synth turned down to an almost pure sine tone, with glide set to about 19 ms so notes slide into each other.
That small glide is the signature pluggnb move. In FL Studio’s native synths, you can draw it directly with porta notes: the official Image-Line piano roll manual explains that a portamento flag creates “a short slide in pitch from the end of one note to the note with the portamento flag.” The same manual notes that slide and porta notes only work with native FL Studio instruments, not third-party VSTs. For a VST lead, use the plugin’s own glide or portamento control instead.
Once the main lead works, add a counter-melody an octave up or down: a bell, a pluck or a few piano licks. Reason Studios suggests layering a bright bell with a warm pad so the top end sparkles without getting harsh. Two melodic layers plus chords is plenty. A third usually turns the beat muddy.
Step 4: Program the 808
Program a rounded, sustained 808 that plays the root of each chord, with an occasional jump to the 3rd or the octave for bounce. Native Instruments’ bass line plays the root on chords one and three and the third on chords two and four, then skips up an octave on the first chord for what Cant calls a “bouncy, energetic feel.”
Shape the 808 envelope so it rings. Samplefocus sets its 808 attack to 0 ms with roughly 200 ms of release, and Reason Studios recommends raising the release so the 808 rings out, with voices set to one so notes do not stack. Glides between 808 notes work here too. Our step-by-step on making 808 glides in FL Studio covers the exact slide note setup.
Keep distortion light. Dark plugg can take a gritty 808, but pluggnb usually wants a cleaner, rounder low end that does not fight the chords. If the 808 and kick clash, the fixes in how to mix 808s without mud apply directly.
Step 5: Program sparse plugg drums
Build a two-bar or four-bar drum loop with fewer elements than you think you need. Reason Studios is blunt about it: “Keep the drums relatively sparse,” and save dense hi-hat rolls for mainstream trap.
A pattern that matches the published tutorials:
- Clap or snare: on beat 3 of each bar for the half-time feel (Native Instruments’ pattern).
- Kick: a few hits that lock with the 808 rhythm, not a four-on-the-floor grid.
- Hats: open or closed hats on 8th notes, with a short 16th or 32nd roll at the end of a phrase, not every bar.
- Extra snares: one or two quiet off-beat snares as a counter rhythm, as Reason Studios suggests.
- Shaker: Native Instruments adds a shaker on every other quarter note for movement.
Swoope’s pack in the Splice piece uses punchy, distorted drums, so if your kit sounds too polished, a touch of saturation on the drum bus gets you closer.
Step 6: Add vocal chops and ear candy
Add a re-pitched vocal chop or a short melodic sample on top, used sparingly. In the Splice tutorial, Swoope re-pitches a gospel vocal loop and explains why producers do it: “They’re putting some ear candy on top to separate it from other genres.”
Pitch it up or down a few semitones, add reverb and delay, and high-pass it so it floats above the chords. If you sample from a record, clear it before releasing, or use royalty-free vocal packs.
Step 7: Mix soft and arrange in 8-bar blocks
Mix for space and warmth, not loudness. Reason Studios recommends a high-pass on every melodic track so the 808 owns the low end, delay and reverb on sends for depth, and a soft clipper on the master instead of hard limiting. When Native Instruments ran Ozone’s Mastering Assistant on its beat, it switched the target from EDM to “RnB/Soul” for a “softer, more full-bodied sound.”
For arrangement, add or remove one element every 8 bars, the method Native Instruments uses. A simple map that works for a type beat:
- Intro (4 to 8 bars): chords and vocal chop only.
- Hook (8 bars): everything in, full drums, 808, lead.
- Verse (16 bars): drop the counter-melody, keep chords, 808 and drums.
- Breakdown (4 bars): chords and lead alone, then slam back into the hook.
Where to get pluggnb sounds
You can make a full pluggnb beat with stock FL Studio plugins: an e-piano sample for chords, a sine from a native synth for the lead, and any 808 one-shot.
What a dedicated sound bank saves you is time spent hunting for e-pianos, bells and pads that already have the soft, wide character this genre needs. Pendora VST V3 lists pluggnb among its lanes alongside trap, drill, dark trap and phonk, with 275+ presets in the full bundle covering pads, bells, plucks and 808s, plus drum kits and MIDI. It costs 149€ one time, runs on Mac and Windows as VST3/AU, and holds a 4.71/5 rating from 59 verified buyer reviews. Choose it if you also make trap or drill and want one bank that covers all of it.
If you only make pluggnb, a genre-dedicated instrument may fit you better. Our roundup of the best plugg and pluggnb VST plugins compares dedicated options like DREAM by C4000 and the Lowkey Labs PluggnB VST, and free synths like Vital, honestly side by side. Want to test the Pendora sound first? Pendora Lite gives you 30 presets for 29€.
FAQ
What BPM is pluggnb?
Most pluggnb sits between 130 and 150 BPM, with a half-time feel that makes it sound closer to 65 to 75 BPM. Native Instruments’ tutorial uses 130 BPM, and Reason Studios and Samplefocus both give the 130 to 150 range.
What chords are used in pluggnb?
Extended chords with minor 7ths and added 9ths, usually played as soft block chords on an electric piano. Producers often place the 9th directly next to the root for a dreamy, slightly dissonant color borrowed from 90s R&B and gospel harmony.
What is the difference between plugg and pluggnb?
Plugg is the original sparse, bouncy style from the BeatPluggz era, often with simple minor chords and bells. Pluggnb keeps the plugg drums and 808s but adds R&B chord progressions, smoother leads and often vocal chops, so it sounds more melodic and emotional.
Can you make pluggnb in FL Studio with stock plugins?
Yes. Use an electric piano for chords, a native synth set to a sine wave for the lead, and an 808 sample in a sampler channel. Native FL Studio instruments also support slide and porta notes in the piano roll, which handle the gliding leads and 808s the genre uses.
Bottom line
A pluggnb beat is soft chords first, everything else second. Get two to four extended e-piano chords sounding right at 130 to 150 BPM, add one gliding sine lead, a root-following 808 and sparse drums, then sprinkle a vocal chop on top. If you want pads, bells and 808s that already sit in this lane, check out Pendora or browse the full Tiger-Sounds shop for drum kits.